"CASANOVA FALLING" (1999): A MOVIE REVIEW
by Dane Youssef
"THE BASTARD LOVECHILD OF 'SEX AND THE CITY' & 'WHAT WOMEN WANT!' A QUIRKY, RE-INVENTIVE ROMP!"
Now, I am really not a fan of the "romantic-comedy genre." At all. Not remotely. Not even a little. I'm really no Rogers when it comes to "rom-coms." I can't remember
Writer/director Christopher Kublan's independent romantic comedy (a rariety in the indie field) "Casanova Falling" is a movie which is scarce in the indie field. A romantic comedy, rumored to be the worst, sloppiest, unentertaining and most formulaic of the entire genre.
Originally titled "Casanova Falling" before it's DVD release, it was later re-christened "Giving It Up" when it was released in 2003, I'm not sure why. Because that's the name of the song that plays it one scene. I assume the distributors thought it made for a more alluring title.
But very surprisingly, "Casanova Falling" is a smarter, more-thinking person's romantic comedy. A movie that seems to have filtered out the obnoxious slapstick, trite plot points, dumb characters, monotone dialouge and Julia Roberts and Meg Ryan's routines.
Oh, there are quite a few clichés' in this movie, all right. The playboy who's tired of the game and wants to settle down and develop as a person, the bookish love interest who has no patience for his antics, the sexist supporting characters, the geeky best friend, the unobtainable finally obtained... only to realize that...
And although it sounds like the storyline from "What Women Want" (which also featured Feuerstein), could any two movies could possibly be more polar opposite.
But "Casanova Falling" is more than that. It doesn't rely entirely on that as so many other rom-coms do.
"Casanova Falling" is a well-played, thoughtfully-written, smartly conceived look at men, women and their views on sex and relationships.
In "Casanova Falling," a New York advertising executive who specializes in selling sex to sell products is living the "almost ideal existence." He has devoted his life to attracting the opposite sex.
And it seems to be working. He has a new stranger in his bed every night. He's making fat cheddar. His hard-nosed, sexist boss (Dabney Coleman "9 to 5," "Tootsie," "Recess: School's Out" and "You've Got Mail") loves him. His apartment is lavish and full of cosmetics to polish his vessel and keep it clean. And his superhuman libido fuels his creative fires.
Enter his new boss, Elizabeth, who has heard of him and his reputation. She's smart and genuinely attractive. And quite down to earth. Ralph (Mark Feuerstein "Woman on Top" and "What Women Want"), the playboy in question is instantly smitten with her. But she's heard the word on the street and smiles, giving him the brush off.
Ralph is obsessed. He wants her. He can have every woman except the one he truly wants. Ain't it always the way? Ralph's less-lucky-in-love buddy, Peter (Ben Weber-- "Twister" and TV's "Sex in the City") asks Ralph why? Why does he want to give up the life? Apparently, Ralphie boy feels empty. He decides to "give it all up."
He's the falling Casanova. He tries to go celibate. He meets up with Elizabeth and informs her of his newfound desire to live a life with something besides sex and even tries to win her over with his outside sex-interests. Like his joy for Billy Wilder's Cary Grant-Audrey Hepburn classic "Love in the Afternoon."
Kublan's script is smart in a "Sex in the City"-type of way. Full of realistic conversations between men and women about dating, relationships, sex and their own views and look at it all.
The cast is particularly strong for an independent film. Feuerstein is a real charmer, Weber and James Lesure (From "For Your Love") are convincing and likable as his best friends. Ari Larter as the foul and lecherous super-supermodel Amber is also good for a few laughs. Amy Redford is really 100% believable as a smart, intelligent, confident (and beautiful) businesswoman who hates her self a bit for falling for this falling Casanova.
See it alone for the near Oscar-worthy performance of the magnificent Dabney Coleman, more hard-nosed, sexist and snarling than ever.
It's worth falling for.
--Still Falling, Dane Youssef