"DEUCE BIGALOW: MALE GIGALOW": A MOVIE REVIEW (1999)
by Dane Youssef
"Just not funny. Just doesn't work. Just a waste of time. Just a waste of money. Just a waste. HUMAN WASTE."
I know that "Deuce Bigalow: Male Gigolo" is completely immune to critical reviews. This movie... no matter what critic, no matter how scathing, how cruel and cold... when it comes to movies like this... the press is powerless.
Really, who cares what the critics say? This is not the newest political biography by Oliver Stone.
Movies like this are just meant to make you laugh.
And this one does. But Definitely not enough.
I was really looking forward to this one. I was in the mood for a "Dumb & Dumber" or "Kingpin" type of comedy and I saw some of the ads for this one and it looked fairly funny. So when it first came out on video, I rushed out to get it.
I've enjoyed most of Sandler's stuff, the Farrelly Brothers movies and just about every movie from the comic film firm of Zucker-Abrahams-Zucker. So, surely, I'd like this one.
"Deuce Bigalow: Male Gigolo" is a vomit bag of a movie. Granted, that's more or less what I was looking for... but it was the WRONG kind of vomit.
THE PLOT IN A NUTSHELL: Goofy, homely and pathetic fish-tank cleaner Deuce (who's also a fish specialist) winds up playing house-sitter and "fish doctor" for a luxurious gigolo. Disaster hits (of course) and in a last desperate resort to raise some much needed money very quickly, Deuce becomes a prostitute. And encounters every misfortune possible.
Sounds funny, doesn't it? And in the hands of some genuinely talented writers and directors, yes, it damn well could have been. But it's handled so terribly, so clumsy, so over-the-top, the humor dies out quickly and at the end, we lose faith and trust in summer gross-out comedies. And we desperately need those, don't you agree?
There's a running joke involving a hard-ass police detective named Chuck Fowler (William Forsythe) who's more or less an unfunny comic take on Tommy Lee Jones in "The Fugitive." David Alan Grier made his work in "3 Strikes," but having him constantly show his penis to Deuce (which is apparently pathetically small.
Or at least thin) is just not funny because no one here seems to know how to make it work. Schneider and co-writer Harris Goldberg ("D3: The Mighty Ducks," "I'll Be Home For Christmas") incorporate a butt-load of funny ideas into this script, but no one here seems to know how to make it work.
Director Mike Mitchell does not have the Midas touch when it comes to comedy. Gold, hell, he can't even settle for a bronze PLATING.
Everything is so obnoxious, so gross, so overplayed, it'll give you a headache. A migrane. Like the kind people got in the movie "Scanners."
It wouldn't be fair for me to say that there's no laughs to be had throughout the whole movie and it was totally without ANY merit: Oded Fehr is perfectly cast as the experienced smoldering prostitute. And Arija Bareikis is appealing as the love interest. And Schnider occasionally (early on) does deliver a chuckle with his performance.
There's a funny bit where an aquarium salesman appears to be either gay or a pervert and continuously makes double-ententes to Duece's confusion. And comedian actor Edddie Griffin (of whom my mother is a huge fan of) gets some of the movie's only laughs (belly-laughs) as a pimp named T.J.
T.J.:"I prefer to be called a male madame. Wait, that didn't sound right." He gets (probably) the movie's biggest laugh when he explains the prostitute food chain to Deuce, using Antoine's fish to illustrate his point.
And there are some really funny moments to be had early on and with some of the women Deuce services. Hey, you think the kind of MEN who pay for it are scary. Just imagine the kind of WOMEN who'd have to pay for it. But the movie stops trying less than halfway through and feels like it's on auto-pilot. Not just the director, but everything.
Look, I'm gonna say it right here, right now: Schnieder is just not a leading man, pure and simple. He does not have the looks, the height, the physique and charisma to carry a whole picture.
Even though it seems like this is the kind of lead that's perfect for Schnieder (an ugly, goofy, sexually-repellent man who could never get it for free, let alone be able to charge for it), he just can't quite pull this one off. Although this material (which he's partially responsible for could've derailed anyone).
Even if this one contained the best cast in the world, how much good can it do when you're working from a script you found in a condemned, rotting, stinking gas-station men's room on the urine-soaked floor? Look, Rob Schneider is just not the lead, pure and simple. He's the one joke character ("You con dew eeet!") and a supporting actor ("Judge Dredd, "Home Alone 2: Lost in New York," "Surf Ninjas" and "Knock Off"). He's just not a head-liner, pure and simple. Co-billing, maybe, MAYBE. He should stop writing movies... or at least stop trying to carry them. Maybe a ensemble vehicle would help.
Schnieder was never meant to be an Oscar-contender, I know. But a box-office darling? Now Sandler, I can see, but...
Seriously, really... avoid this one. For good gross-out summer comedies, I recommend the following: "Dumb & Dumber," "Kingpin," "There's Something About Mary," "Scary Movie" and the "American Pie" trilogy. Check out Sandler's "Happy Gilmore," "Big Daddy" and "The Longest Yard."
FINAL WORD OF ADVICE: Avoid anything with Schnieder's name looming over the title.
--Really Paying For It, Dane Youssef
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Sunday, December 18, 2011
Tuesday, December 13, 2011
"Väritetty totuus" (1991): A MOVIE REVIEW by Dane Youssef
"Väritetty totuus" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Väritetty totuus" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Väritetty totuus" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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"Pravo lice" (1991): A MOVIE REVIEW by Dane Youssef
"Pravo lice" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Pravo lice" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Pravo lice" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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"Le jeu du pouvoir" (1991): A MOVIE REVIEW by Dane Youssef
"Le jeu du pouvoir" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Le jeu du pouvoir" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Le jeu du pouvoir" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
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"Kétszínű igazság" (1991): A MOVIE REVIEW by Dane Youssef
"Kétszínű igazság" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Kétszínű igazság" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Kétszínű igazság" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
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Monday, December 12, 2011
"I corridoi del potere" (1991): A MOVIE REVIEW by Dane Youssef
"I corridoi del potere" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "I corridoi del potere" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "I corridoi del potere" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
http://www.google.com/profiles/youssef.daneyoussefcom.dane
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"El verdadero ser" (1991): A MOVIE REVIEW by Dane Youssef
"El verdadero ser" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "El verdadero ser" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "El verdadero ser" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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"El color de la ambición" (1991): A MOVIE REVIEW by Dane Youssef
"El color de la ambición" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "El color de la ambición" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "El color de la ambición" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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"Der Preis der Macht" (1991): A MOVIE REVIEW by Dane Youssef
"Der Preis der Macht" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Der Preis der Macht" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Der Preis der Macht" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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"Boje istine" (1991): A MOVIE REVIEW by Dane Youssef
"Boje istine" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Boje istine" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Boje istine" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
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"Alithina hromata" (1991): A MOVIE REVIEW by Dane Youssef
"Alithina hromata" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Alithina hromata" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "Alithina hromata" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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"A Um Passo do Poder" (1991): A MOVIE REVIEW by Dane Youssef
"A Um Passo do Poder" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "A Um Passo do Poder" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "A Um Passo do Poder" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
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"TRUE COLORS" (1991): A MOVIE REVIEW by Dane Youssef
"TRUE COLORS" (1991): A MOVIE REVIEW
by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "True Colors" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
http://www.google.com/profiles/youssef.daneyoussefcom.dane
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by Dane Youssef
"VERY WELL-PLAYED.... BUT ALMOST WRITTEN AT THE LEVEL OF AN AFTER-SCHOOL SPECIAL"
The Brat Pack actors are certainly a talented bunch. Everyone has a favorite. For me, it's a toss-up between James Spader and Anthony Michael Hall.
John Cusack was mesmerizing back in his early-days. He was a teenager, but he looked, sounded and acted very adult for his age. "The Sure Thing" put him on the map and "Say Anything..." made him a household name.
But while Crowe's "Say Anything..." was obviously a great movie, it was both a blessing and a curse for Cusack, who has rarely played anything else in his career. I know, I know. He's been in countless other movies. But "a rose by any other name..." His character, no matter what the movie, is essentially always Lloyd Dobbler.
Spader sometimes played other types besides the oily Steff from "Pretty in Pink." His typecast-breaking turn came when he played the lead in this movie.
But I know Cusack can do more. I keep waiting for him to. Which was one of my guilty pleasures of this movie.
The story and plot are the right out of the old fable about the rich man and the poor man who come together and create something special... and then the rich man betrays the poor man and casts him aside. And the poor man plots to take revenge...
Another big twist that "True Colors" has is it's twist in typecasting. Cusack specializes in playing sharp, calculated, smarter-than-average teenager... who's heartbroken and devastated... and is desperately trying to win back the girl. Here, Cusack plays a character who's as smart as the heroes he usually plays, though here he uses his intellectual gifts for evil instead of good. His goal is usually to win the girl's heart. Here he betrays the girl (and his close friend) in order to get what he wants.
And Spader usually plays blue-blooded, silver-spoon fed, upper-class yuppie scummy villains. Here he's still a rich blue-blooded yuppie. But a hero, who uses his financial connections to right wrongs and do just.
The two meet the first day of law school where there's a fender-bender and brief scuffle. Cusack angrily attacks Spader violently and blames him for the whole thing and the two have to be pulled apart. Later on, things get worse as they discover... their assigned to be roommates. Cusack smooths things over by admitting the whole thing was his fault. You'll see why.
Afterwords, the two form a fast friendship and Spader even uses his financial backgrounds and connections to help Cusack out. Later we find out that Cusack is lying about his background to fit in and the payoff feels lifted out of a soppy, moralizing and insipid sit-com where today's moral is... "If you have to be someone else to get a friend, then they're really not your friend."
Richard Widmark is great as well as the ailing senator who sees potential and ambition in Cusack after he sees what looks like Cusack doing him a favor, little realizing how dangerous Cusack is. Spader girlfriend considers breaking off the relationship for Cusack who can keep her bringing in big cash. She doesn't realize that Cusack is willing to betray her too, in order to get what he wants.
One of the major problems is that their true colors are obvious from the beginning. Cusack is clearly someone not to trust from the start and Spader all but actually walks on water. Another is that the movie is too thin. There isn't enough entry.
The movie... skims too much of the surface. And Spader's big plan and the finale is pretty tacked on.
The movie aspires to be a movie like "Patriot Games" or "Citizen Kane." But everything is routine and predictable and there are precious few new touches to this tired formula. If screenwriter Kevin Wade could've given the script a bit more depth and discovery into these characters and done a little more with the formula, this could have really been something special. The cast does what it can, but inevitably, a good cast can only take a movie so far. Still, it's worth seeing just for Cusack turn towards the dark side and Spader as a yuppie with heart.
Oh, well...
--Always Wearing His True Colors, Dane Youssef
danessf@yahoo.com
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58175682
http://www.google.com/profiles/youssef.daneyoussefcom.dane
http://www.amazon.com/gp/cdp/member-reviews/ASKUZHOKQ1W3E/ref=cm_pdp_rev_title_1?ie=UTF8&sort_by=MostRecentReview#R2MFYILVVRXX73
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